Friday, March 4, 2011

Valletta, EU capital of culture, 2018


The excitement is already starting. At the gathering this morning in the Exchange Building in Republic Street there were mayors from around Malta, artists, cultural workers and perhaps one or two ordinary residents like me. The choice of venue for this information session about Malta's bid to host the European capital of culture in 2018 made a statement about the significance of engaging the commercial sector in the venture. A lot was said about tripartite involvement of the business, cultural and political sectors in the process of preparing to host the event in seven years time. But what emerged most strongly for me was the emphasis placed on citizen participation not just as audience but as active contributors to the shaping of the bid and the vision that will inform both the programme of events and the evaluation of success.

Malta is already developing its cultural policy as I discovered last year when I went to some of the community consultation meetings held at St James Cavalier. The Malta Council for Culture and the Arts is also beginning the process of cultural mapping to identify what is happening at the moment so that the year-long celebration in 2018 will support the sustainability of cultural engagement in the longer term.

This morning, the artistic director of the Cork EU capital of culture event in 2005 spoke about the need for honesty and authenticity in the particular programme that we will develop here in Malta. She also talked about the inclusion of debate and cultural dialogue as important in building a vibrant sector that is sustainable and continues after the euphoria of a glut of events in one year has passed.

It is too early in the process to begin to consider detail of actual events but some relevant issues were raised from the floor. Questions of cultural democracy, social inclusion, political instability in government commitment and the involvement of all of Malta and its people will be significant in developing our bid, planning our programme and implementing a year of cultural focus. I'm looking forward to that and feel glad that I am already talking about it in terms of 'we'!

07/03/11 Today I received an email from the organisers of the information session giving the link to the website for European Capital of Culture:
https://secure2.gov.mt/ECOC/home?l=1

The photo is of a botanical pianist in the garden at San Anton.

Thursday, March 3, 2011

Touching base


Things are aligning to bring me back to my blog.

I have finished the first full draft of the book and printed out a manuscript. It is still clunky and needs more work but it can sit for a while. I'm hoping it will be like soup and improve the next day.

The drama of the return to my (almost finished) flat has mellowed. I have sorted the issues with water leaking into the flat below, irate neighbours blaming me and the workers for broken lift, insomnia, invasive dust, rubbish on the roof, illegal development. I have worked out a strategy for dealing with stolen internal doors and the unfinished washroom. In time this will all become the theme for a blog.

I have settled back into life in Malta and reconnected with all the things I love to do here.

I have started to reflect on my three months away and my travels in Australia, Asia and Russia. I am getting excited about my travel plans for 2011.

I am starting to chafe against the limitations of Facebook.

So I will make lists and go through my photos and make the blog a part of my routine again. The photo was taken on a recent Ramblers' walk.

Wednesday, November 24, 2010

View from a train


From a hotel lobby in Moscow waiting for a ride to the train station to pick up the overnight to St Petersburg. I'm on my way back to Malta and need to catch up on promises made over the past few months. The photo is a view from the dirty window of the Trans-Siberian/Mongolian. More on that and my adventures in Australia once I am back in my home base in Valletta.

Monday, August 23, 2010

On my way


I'm on my way! Waiting for the taxi to take me to the airport, then Rome, Heathrow, a week in UK, two days in Singapore and back to Australia on 5th September. I leave Malta with a curious feeling of displacement. There are too many unfinished things including my beautiful flat, my book and my unwritten blog. But I promise to spend my time in Australia productively and hope that work will continue on my flat whilst I'm gone. In the meantime, the photo is of the Moulettes busking in Republic Street, Valletta.

Sunday, July 25, 2010

Promises


The photo is one of many I am taking as the sun rises over the breakwater. I will post soon on Malta Arts Festival and the arches that are taking shape in my flat. In the meantime, I have to prepare my lessons for next week!

Saturday, July 3, 2010

Water on the block


Water is a precious commodity in Malta yet we are depleting the aquifer as though it is fed from a bottomless tank in the sky.

I guesstimate that there are 142 households in my large block of flats and each of us has at least two tanks on the roof, one for the kitchen and one for the bathroom. The tanks are replenished regularly and mysteriously by the government who then send irregular bills for large amounts of money. Everybody complains.

When I first arrived in Malta, I struggled to find my way in a new country with a very different culture. My neighbour was very helpful in helping me to switch on my water and he told me which of the many tanks on the roof were mine. I wrote it down on a bit of paper and forgot about it.

More recently I have begun to feel sufficiently at home to start wondering about things and explore beyond the feeble water pressure in the shower. I discovered a few things.

The first revelation came when I was investigating strange dragging sounds on my roof. It was the man from Melita who was busily dropping more cables down the front of the block to connect a new household on a lower floor to one of the many satellite dishes that mushroom around the water tanks. I learnt from him that if I wanted to get rid of any of the cables or disks or antennae, I should ring the office. His job was just to connect people, not make sense of the rivers of cables that snake all over the roof parapets.

He got on with his job. That was how I made my first discovery. His job appeared to be associated with the mysterious small box I had noticed near to my washroom on the roof. He had to connect the cable that he had dropped down the front of the flats to this box which was at the back. He did this by running the cable along the rusty iron beams that support four bathroom water tanks including mine.

My interest was aroused. I worked out which tank was mine by tracing the pipe down the service well to the bathroom wall on my level. Discovery number one, my tank was missing a lid. A small portion of fibre glass hung on one of the lid ties but where the rest of it had gone was impossible to fathom.

Now I had a specific problem to address. Where do I find water tank lids in Valletta and how do I get them onto my roof and then onto my tank? So I asked my hairdresser. He sent me to an ironmonger on the Marsamxetto side of Valletta.

"What size is it?" asked the ironmonger, "I only have big ones."

He advised me to go and measure the tank across the diameter of the top. This was a good opportunity to get to know about my water tanks, to become familiar with the dimensions of the problem.

I returned to the roof, calling into my flat on the way to pick up my steel measuring tape and incidentally discovering the scrappy bit of paper on which I had noted the whereabouts of my tanks according to my neighbour. It seems I have three tanks, one for the bathroom and two for the kitchen. At least they all look the same size.

Gingerly I climb on a table that was left on the roof when I arrived. It is the same table that caused the original dragging sounds that led me to investigate the Melita man. Now I am armed with measurements and I return to the ironmonger.

"That's a 500 litre tank," says he, "I don't have any. Maybe next week but if you can find someone else..."

Over the next few weeks, whenever I remember, I call into any ironmonger I happen to be passing and ask them about lids for 500 litre water tanks. No-one has one. The closest I get is when a woman says "Call back this afternoon when my husband will be here."

In the meantime, I have begun to investigate the other two tanks. I discover that I have two tanks for the kitchen because the large family that lived here before me did a lot of washing. I also realise with horror that I am leaking and have been for a long time judging by the green slime sitting in the corner of the lift shaft next to my tanks.

I scurry to my neighbour. She sends me to one of the ironmongers. He lives in my block. He gives me the phone number of a plumber. I phone the plumber and he says he will come round the next day, Saturday.

I am thrilled that I seem to be solving this problem so easily. I wait at home at the appointed time. When he doesn't turn up, I phone his number. His wife tells me he came but he couldn't find my door. A Maltese friend tells me the World Cup is on. I try and reframe it in a positive light but I can't block out my obsession with all the water I have wasted through evaporation from a lidless tank and dripping from a leaky one.

On Monday the plumber comes right on the allotted time. We go onto the roof to investigate. He is happy to explain to me what he is doing so that I can get to understand my water system. The leak is solved with worrying alacrity by adjusting the stop cock inside the tank. The lid will have to wait until tomorrow.

The next day, we discover that the leak is still leaking and it is from a hairline crack at the bottom of the tank. We ponder this issue as the lid is put on the bathroom tank.

"I don't really need two tanks for the kitchen."

He looks at me to make sure I mean what I'm saying. Then he beams as he works out how to get rid of the leaking tank and give me one good kitchen tank. I leave him to get on with the heavy plumbing stuff. I return when he is cutting up the old tank to take it away. I feel almost euphoric at the small extra bit of sky I can now see where the old tank used to be. The smallish fee seems very reasonable to have all my plumbing problems solved.

The next day I pop up on the roof to bask in the glory of my drip-free tanks. The slimy area is still damp and there is a glisten of water on the pipe above the new stop handle he has put in. I almost cry with disappointment. I phone. He will come tomorrow around midday. He comes a few hours earlier. In no time he has whipped out the offending bit of pipe and attached the stop handle at a different angle. And this time it seems to be fixed even though the pipe juts out against the Valletta skyline where the old tank used to sit.

I now have an urge to run up onto the roof and check! The photo is of the bouganvillea at the old Birkirkara train station.


Saturday, June 26, 2010

Everyday Valletta


This is an installation by Sabrina Calleja Jackson down on the Valletta waterfront. A large unused space opposite the cruise terminal has been taken over by a group of artists. I want to write something about how the everyday becomes extraordinary here in Valletta.

I have a friend visiting me from Australia via UK. I am enjoying showing her some of the quiet treasures of Malta. Last night we walked over to Msida for the festival and watched as young men ran up a steep greasy pole to try and grab a flag from the end.

This morning we went to see the new 35 minute movie about Valletta that opened at the Embassy cinema complex earlier this week. Apart from the hype of the launch, I suspect we may have been the first people to pay to go to the show and my friend was certainly the first person to buy something at the small shop in the foyer that has been set up to accompany "the experience".

The movie makes good use of Valletta's historic location as well as Malta's fascination with reenactments. My friend loved it and I thought it was a fine way to get a potted history of what makes Valletta what it is today.

There are still teething problems to iron out. We arrived for the first show of the day and I was surprised at the cost (almost E10 with no KartAnzjan concessions). Sadly, I don't think many Maltese people will go along to a show that costs more than a full length feature film. This is a pity. It seems to me that the most successful "tourist" attractions here are those that also draw local people.

We were the only people there. We waited in the foyer whilst they prepared the auditorium and a young man explained to us how to use the headphones. We chose our seats in splendid isolation, inserted our earpieces and then spent the first ten minutes of the show trying to make them work. Finally, in desperation we attracted the attention of the projectionist and after fiddling with it for a while he took my set away to try and solve the problem. Once we had sound we enjoyed the remaining history and were then invited to watch the first 10 minutes again. This time we didn't need to use headphones, and I enjoyed it much more.

Afterwards, my friend browsed the small tourist shop that has good quality souvenirs. When she came to purchase a small glass Maltese cross, the delightful young man behind the counter couldn't get the new till to open. After valiant phone calls and charming comments of "This is Malta" variety on his part to try and lighten the situation, he finally resolved the issue of change by digging in his own pocket. The film is about the courage, persistence, resilience and openness to change of the Maltese people and he certainly showed those qualities in full!

In my next post, I want to tell the story of my water tank.